"Befriending the Mountains" at l'Atelier Hermès

28 Nov 2025
8 Mar 2025

Program : Les expositions de la Fondation

Discipline : Arts visuels

Country : Corée du Sud

Though he could have become a biologist or a botanist, Daniel Steegmann Mangrané ultimately chose to pursue his fascination with nature through artistic creation. His poetically titled exhibition “Befriending the Mountains”, curated by Soyeon Ahn at Atelier Hermès in Seoul, invites us to immerse ourselves in a hybrid ecosystem that transforms the gallery space, and to reimagine our relationship to the world.
Daniel Steegmann Mangrané
Befriending the Mountains, 2025 Kriska aluminum curtain and laser cut powder-coated steel frame 315 x 495cm, 315 x 560cm © Sangtae Kim / Fondation d'entreprise Hermès
Installation View of “Befriending the Mountains“ at the Atelier Hermès © Sangtae Kim / Fondation d'entreprise Hermès
Lightning Garden, 2025 Korean pine tree, lava Floor, 4 LED filaments Dimensions variable © Sangtae Kim / Fondation d'entreprise Hermès
Geometric Nature, 2025 Split branch with elastic cords Dimensions variable © Sangtae Kim / Fondation d'entreprise Hermès
Installation View of “Befriending the Mountains“ at the Atelier Hermès © Sangtae Kim / Fondation d'entreprise Hermès
Hologram (sprouting hand), 2021 Pulse hologram 25 x 20 cm © Sangtae Kim / Fondation d'entreprise Hermès
Daniel Steegmann Mangrané, Hologram (Sprouting Hand), 2021. Photo © Aurélien Mole

For Catalan artist Daniel Steegmann Mangran (b. 1977, Barcelona), forests are not only places but living beings which embody the environmental, political and cultural complexity of our world. Captivated by the Amazon and the Mata Atlântica – the forest that runs along Brazil’s coast – he settled in Rio de Janeiro in 2004 to be closer to the exceptional biodiversity of these spaces. Drawing on biology and contemporary anthropology, he explores the intense relationship between nature and culture through drawing, photography, cinema, sculpture and installation, in a practice characterised by delicate and subtle gestures.

 

While the exhibition’s title invites us to “befriend the mountains”, Daniel Steegmann Mangrané begins by highlighting nature’s order and rigour, countering common perceptions that contrast its seemingly unpredictable forms with the geometric abstraction theorised by humans. To do so, he has installed slanted partitions that structure the Atelier Hermès space, creating an immersive labyrinth akin to a forest. Within this artificial ecosystem, visitors unexpectedly encounter various natural elements, including tropical forests, jagged rocks, small branches and insects.

Exhibition View: Daniel Steegmann Mangrané, ('(, ABC Fair, Berlin, 2014. Photo © Andrea Rossetti

Alongside this immersive installation, a garden of Korean pines envelopes visitors in the atrium of Atelier Hermès. These trees, which grow on mountainsides and are associated with lightning due to the storms that regularly thunder through the landscape, transcend the boundaries of time and space. An emblematic Korean landscape composition, which pictures the moon above the Wolji Pond at Gyeongju, completes the installation. It serves as a veritable cosmogony that harmoniously brings together the four elements: earth, water, fire and air. The links between the inside and the outside, between the artificial and the natural, emerge clearly here. Inspired by the thinking of indigenous peoples, with his first solo exhibition in South Korea Daniel Steegmann Mangrané continues to affirm the possible coexistence between culture and nature, between humans and their environment

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